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・ George Frederick Bensell
・ George Frederick Bodley
・ George Frederick Bollinger
・ George Frederick Boyle
・ George Frederick Bristow
・ George Frederick Cameron
・ George Frederick Carden
・ George Frederick Chambers
・ George Frederick Charles Searle
・ George Frederick Charles, Margrave of Brandenburg-Bayreuth
・ George Frederick Clarke
・ George Frederick Clucas
・ George Frederick Cooke
・ George Frederick Dick
・ George Frederick Edmonstone
George Frederick Handel (Roubiliac)
・ George Frederick Harding
・ George Frederick Harris
・ George Frederick Hodgins
・ George Frederick Holmes
・ George Frederick Howe
・ George Frederick II, Margrave of Brandenburg-Ansbach
・ George Frederick Ives
・ George Frederick James Temple
・ George Frederick Kunz
・ George Frederick Leycester Marshall
・ George Frederick Mager
・ George Frederick Magoun
・ George Frederick Marter
・ George Frederick Martin


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George Frederick Handel (Roubiliac) : ウィキペディア英語版
George Frederick Handel (Roubiliac)

This sculpture of composer George Frideric Handel (1685–1759) is by Louis-François Roubiliac (1702–1762). It was commissioned by the impresario Jonathan Tyers for his famous pleasure gardens at Vauxhall. Handel is shown in the guise of Orpheus, holding a lyre. Despite the classical allusion, he wears informal contemporary dress: a soft cap, a long shirt open at the neck, a full loose gown, and slippers, one of which lies beneath his right foot. His pose is also casual. He is seated cross-legged, leaning on a pile of bound scores of his works, including Alexander's Feast which was completed the same month the statue was finished. The statue is unprecedented, for not only was the sitter portrayed with startling informality, but it was the first life-size marble depicting a living artist. Until this date such public statues were erected only for monarchs, noblemen or military leaders. Roubiliac was a native of France, although his known surviving work was executed in England. Handel is his earliest known independent sculpture. When it went on display in Vauxhall Gardens in 1738 it proved an immediate success, helping to establish Roubiliac as one of the leading sculptors in England.
Roubiliac was trained in Lyon, later working in Dresden under a leading Baroque sculpture, Balthasar Permoser (1651–1732), and then studying in Paris before moving to London in about 1730. All his known surviving works were executed in Britain. He specialised in portrait busts and funerary monuments, and was renowned for his handling of marble, particularly his creation of subtle surface textures.
==Bibliography==

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